Friday, October 10, 2014

Are you a "Warrior"?

The Advertising of Martial Arts


The Ultimate Warrior?  Really?
    Martial arts have to be marketed.  I understand that...to some extent.  My income and livelihood doesn't rely on martial arts, so I can afford to have a more superior attitude about trying to get new students.  However, I don't begrudge those that do.  At some point, it is my goal to open my own dojo.  At which point I'll have to join in on all the buzz word fun.  But for now, I want to poke fun at many of them.  Here's a list of buzz words that bug me (hah! buzz...bug), what I think they are trying to mean, and how they are often abused.  Open up any martial arts magazine, or the Yellow Pages (do we even have those any more?) and you'll see adds splattered with these words.


"Realistic"

    This adjective is often used to describe martial arts in advertising.  I'm guessing, in order to distinguish them from "unrealistic" martial arts?  If its a realistic martial art, then I'm guessing they train you how to run away from 3 on 1 situations, or when both the guys attacking you have weapons.  Because from what research I've done, that's how realistic attacks happen.  It isn't going to be a civil one-on-one at the bar that we see in movies.  Its going to be a person, or often people, taking whatever advantage they think they can get.  They're not looking for competition, they're looking for a resource, or social standing.  (See anything by Wilder and Kane for the difference between social and asocial violence).  They should teach awareness, avoidance, Rory Miller's Monkey Dance, and the effects of adrenaline.  They should teach eye gouges in close combat, they should teach about the medical effects of having your intestines go septic from a knife wound after getting stabbed.  They should have a lawyer talk to you about the realities and costs of self-defense, and how to defend yourself legally.  That's realistic self-defense.
        What I think their point in calling an art realistic is that it is not a sport martial art.  If they are saying that they train you to not think in terms of rules, then maybe realistic has a place.  One of my favorite quotes is by, of all people, Mike Tyson "Everyone has a plan till they get punched in the mouth."  Most people that I've talked to who have had "real" encounters have said there isn't time to apply many techniques, and that quick and simple works the best.  Realistic could mean that: They have a limited number, highest chance of success, list of techniques that they train and practice with.  Then I guess realistic would apply.


"Effective"


    If you look at a martial art from a hoplogical position, every martial art is effective in a certain context.  They example I read was from knife techniques.  Filipino knife martial arts are great, and very different from Japanese tanto (knife) techniques.  As a generalization, the Filipino focus more of fast movements and quick attacks, where as the Japanese practice precision and reinforced power.  In the barrios of Manila, the Japanese tanto attacks would probably get you killed in a conflict situation.  However, if you took the Filipino art and put it against an armored samurai, they would suffer the same fate.  Would Filipino techniques and methodology work if you were in a Wisconsin winter where everyone has 3-5 layers of clothing on?  Just know what your context is for your martial arts effectiveness, and practice within the knowledge of those parameters, and they are all effective.
    When an advertisement says effective, I believe they are again comparing it to sport martial arts, or they are preying on our need to distinguish truth from lies.  Most of us traditional martial artists take it on faith that our techniques will work in realistic circumstances because we don't train them in realistic circumstances.  We can see how they would work, but never IF they would work.  That's a pretty big flaw in most training sessions.


"Traditional/Modern"


    I put these two together, because they seem to argue directly against each other, and can be dealt with using the same logic.  From what I can understand, Traditional is supposed to mean that there is a lineage, and that the art is taught as it was for the last several hundred years.  It is usually steeped in the cultural aspect of the martial arts as well.  Modern means, they have gotten rid of all the cultural trappings of the martial art, and have cut away all that "useless" stuff.  They are most likely a hodgepodge martial arts system which takes "the best techniques of judo, karate, and kali, and blends them together" or something of that sort.  Sound familiar?  Both advertising motivations are great if that's what you're looking for.  Some people want a cultural aspect.  They want to use the martial arts as a doorway into the mysterious orient.  Some people don't care about the cultural part, and just want the highlights.  The modern tends to have the same motivational factor as "Effective."  Just because it blends different styles together doesn't mean it is in any way superior to the original system.  On the same note, just because it has been passed down for over 5 generations doesn't mean it is any more realistic or authentic.  Everyone who does a martial art changes the art for themselves.  Aikido is less than a century old, with many of the original students of O-Sensei still alive, and yet there are so many fractions that it is impossible to keep track of them.  Why?  Did the students break from tradition to form a modern version of aikido?  No, they just taught what they saw aikido is/was.


"Warrior"


    Perhaps no word has been co-opted more than the term warrior.  There are two ways to look at this term.  One is in the strictest definition of someone who has gone to war for the purpose of eliminating another institution's soldiers and possibly civilians.  It is a a very grey area of the human psyche.  My father was in Vietnam, and I know people who have been in our modern middle eastern conflicts (Iraq and Afghanistan).  They are warriors in that definition.  Someone who trains hard in martial arts back here in the states is not.
    I think the reason warrior is used in martial arts marketing so much is because of the romantic view of warriors.  Soldiers returning from the war, the conquering heroes, and such.  We even, as a society, respect the side effect traits of being a warrior, the discipline, the assertiveness, et. al.  Its just the actual traits of warriorship we don't like.
    In a broader sense, just as Japanese arts have a -jutsu and a -do version of martial arts for the purposes of developing warrior characteristics, we want the side effect traits of being a warrior, or the benefits of going through warrior training.  We want to have a "warrior mindset."  I understand what that is supposed to mean, but everyone I've talked to who's been in war situation doesn't want to be in a war mindset.  We hear the stories of people who are able to overcome unimaginable obstacles in times of war, and we want some of that.  And I do think we should encourage that ideal today, but there should be a different term than warrior, and I don't know what that should be.

    In conclusion, I understand their use in advertisement.  If you were a newbie looking for martial arts schools, how would you respond to an honest assessment of the arts?  "Are you looking for hard work, years of frustration, and little chance of financial reward?  Come sign up for aikido!"  I understand the use of these buzz words, but I think they get overused, and as such loose their meaning.  My wife in an English teacher and she keeps preaching to me about word economy.  If you describe this sandwich as being awesome, what words do you use to describe the birth of your first child?  I think that's what's happening in our martial arts advertising world.  So maybe we, as martial artists should practice some humility and economy when describing our beloved arts.

Thursday, October 9, 2014

Episode XVII-Raiders of the Lost Podcast Shownotes

Episode XVII-Raiders of the Lost Podcast

Download the Podcast HERE


Recorded: Thursday October 9th, 2014

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Intro:  Theme from "Enter the Dragon" by Lalo Schifri

Introduction:
  Indiana Jones
  Moses Powell Memorial Seminar
  Piranha Gear T-Shirt Contest Winner: Lando Moes
  Jackie Chan
  Drunken Master
  
Interlude Music: Barracuda by Heart

Interview with: Andrea Harkins of www.themartialartswoman.com
  Warrior Radio
  Tang Soo Do
  Jujutsu
  Aikido
  Ronda Rousey
  Woman's Self-Defense vs. Self-Defense
  Sensei Ando (www.senseiando.com)

Interlude Music: Bad Reputation by Joan Jett and the Blackhearts

This Week in Martial Arts: October 9th, 1932
  "Judo" Gene Lebell
    Roast of Gene LeBell by Chuck Norris and Bob Wahl
  Elvis (Presely)
  The Green Hornet
    Talks about Bruce Lee
  Rush Hour
    Jackie Chan
    Chris Tucker

Contact Information
Twitter Account: @martialthoughts
Email: martialthoughts@gmail.com
Atemicast Youtube Channel
www.thinkingmartial.blogspot.com

Outro Music: Voodoo Chile-Jimi Hendrix / Gayageum ver. by Luna

Sunday, September 21, 2014

Enjoy your plateau

Plateau 
noun
  1. 1.
    an area of relatively level high ground.
  2. 2.
    a state of little or no change following a period of activity or progress.

verb
  1. 1.
    reach a state of little or no change after a time of activity or progress.

  Any time anyone is learning a new skill, whether its martial arts or learning to play guitar, or anything else that you can get immediate feedback on, there is always an initial burst of improvement.  They can very quickly tell that they are getting better.  They can can see, hear, feel the improvement.  That has to do with the fact that they had so little skill that ANY improvement is a big improvement.  In the dojo, this is what happens to newbies the first couple months.  They enjoy martial arts so much in that time.  Eventually they stop feeling like you are improving.  The new martial artist will practice and practice, and their skill doesn't seem to be getting any better.  They've reached their plateau.  This is usually when they leave because they feel something is wrong.  Either with them, or the instructor, or ... whatever.
The learning curve?
  This doesn't just happen with new martial artists.  It can happen with anyone.  Personally I hit a plateau after I'd been studying for about 10 years.  Sure I'd had little plateaus before, but with focus and extra practice, I got through them.  But this one was different.  It was more resistant, and it lasted for about a year.  I did what I normally did, and practiced harder, longer.  But I never say any improvements in my techniques.  And I was thinking about testing for my next belt, which made this extra worse than normal.
  I didn't know it at the time, but these plateaus are a natural part of the learning process.This is where the real detailed learning actually happens.  My body, without me knowing, was concentrating on learning the details, and building a sensation database.  The best part is it is usually followed by a huge leap in abilities.  And I actually experienced this.  One day, I was just moving better.  My timing was better, and my intuition for attacks were better.

  There are a some things you can do while plateauing.  

1. Stick with it.  

  There are going to be plateaus in any learning pattern.  How you deal with them is also part of the learning curve.  You will get through it, and you will be better for it.  Your skills are improving, but not necessarily as quickly as they were before..

2. Specify your practice

  Pick one thing you want to improve on, and no "martial arts" is not an answer.  The more specific the better.  Work on one particular technique. Or your footwork on one particular set of movements.  Or your hand position while punching.  Something like that.

3. Change your focus

  If you are having trouble with the physical aspect of martial arts at that moment, pick another aspect.  This may be a good time to learn more of the history or philosophy of your art.  I've yet to find a martial art that doesn't have a dozen or so books on it.  And libraries are great resources.  I check out the books from the library, read them, and then decide if they're worthy of being in my collection.

  So if you experience a plateau, be grateful for it.  Don't try to force your way through it.  Even though it is frustrating, it's part of the learning process.  The most important thing to remember is to not get frustrated and think that something is wrong.  Enjoy it.  

Tuesday, September 16, 2014

Episode XVI-For a few Podcasts More

Episode XVI-For a few Podcasts More


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Download the Podcast HERE



Recorded: Sunday September 7th, 2014

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Intro:  Theme from "Enter the Dragon" by Lalo Schifri

Introduction:
  Moses Powell Memorial Seminar
  Martial Arts Nation Podcast
  Samurai Archives Podcast

Interlude Music: After Dark by Tito & Tarantula

News
  Ann Osman
  One Fighting Championship (One FC)
  Ana Julaton

  Ip Man
  The King of Fighters
  Shaolin
  1911
  Jackie Chan

  Guantam Budh Nagar
  
  Shaolin Monastery
  Shi Yongxin
  Bruce Lee
  Lipton Ice Tea (and Bruce Lee)
  
Interlude Music: Anybody Listening?  by Queensryche

Interview with: Chris West of Samurai Archives Podcast
  Samurai Archives Podcast
  Goju ryu karate  
  Judo
  Tae Kwon Do
  Mr. Miyagi
  Okinawan Kempo
  Shogun by James Clavell
  Kumite
  Trevor Absolom
  Fukashima
  Dr. Karl Friday
  Samurai
  Edo/Tokugawa Period
  Fujiwara no Tsumitomo
  (Akira) Kurasawa
  Yojimbo
  Seven Samurai
  Toshiro Mifune
  Yamagosoko
  Hagakure
  Ghost Dog
  Forest Witaker
  Heian Period
  Sengoku Period
  Oda Nobunaga
  The Last Samurai
  Heaven and Earth
  47 Ronin
  Takashi Mike
  13 Assassins
  Pride
  Yakuza
  Sumo
  Terao
  Akebono
  Musashimaro
  Yokozuna
  When the Last Sword is Drawn
  The Seven Samurai
  Musashi Miyamoto
  Gonryu jima
  Motoki Masahiro
  Sasaki Kojiro
  Bushido the Soul of Japan
  Samurai Archives Podcast
  www.samuraipodcast.com
  www.samurai-archives.com
  @samuraiarchives

Interlude Music: Brother by Alice in Chains

This Week in Martial Arts: September 9th, 1915
  塩田 剛三 Shioda Gōzō
  Yoshinkan aikido
  
Contact Information
Twitter Account: @martialthoughts
Email: martialthoughts@gmail.com
Atemicast Youtube Channel
www.thinkingmartial.blogspot.com


Outro Music: Voodoo Chile-Jimi Hendrix / Gayageum ver. by Luna

Friday, September 5, 2014

My weird experience with a fight this week

    As long time readers (and listeners) know, I teach high school.  Since I've moved to Nashville, I've had to take a job in a less desirable locality.  I now teach in a very rough school.  Don't get me wrong, I don't feel in danger or anything like that, and the school is very clean and well managed.  There are no detentions, only suspensions and expulsions.  They have a saying that I tend to agree with: "We are here for education, if that is not your goal, we'll find someplace else for you to be."  There are frequent fights, and what takes up a large majority of the students time and energy instead of education, is talking about, being in, describing, and planning for fights. 
Kane and Wilder's book.   I'm reading this now
    The worst part is, to use Kane and Wilder's language, that they are all social violence situations.  The only point of any of these fights is to prove that they are willing to fight.  There is nothing gained or lost.  There is no real threat to any of these people other than their face.  I use the word face as in "face value" or "saving face."  There seems to be a fight every day or two, and with a student body of about 800 students, that is quite frequent.  I also understand that when people are in lower socioeconomic situations, honor or face is a very prized possession.  I also understand, that to look weak could invite more situations.  To use the words from Ender's Game, "a fight to prevent a future fight" is acceptable in my eyes.  I don't think that is anywhere near the majority of the fights though.
    Anyway, what happened was two girls, seemingly out of nowhere in my class, burst into the hallway and started getting into a screaming match which was apparently going to erupt into a violent situation.  Being the teacher, I quickly got between the students and was holding back the aggressor. What is interesting, from a martial arts point of view, was both my and her response.  I was holding her back with a single arm across her upper chest, like across her collar bones.  Every time she would advance, I would put pressure to one side, which would twist her slightly, and she couldn't walk the way she wanted to go.  I didn't even realize I was doing it until I thought about it later.  Since I wasn't the focus of the violence, I was also able to remain completely calm and control her this way.  I never once raised my voice or used any real amount of force.  The situation ended because it attracted the attention of about 3 other teachers and the campus police officer who took the girl away.

Adrenaline or Norepinephrine
    Afterwards, about 5 minutes later, I got the adrenaline dump.  My hands were shaky.  I had difficulty signing a pass for a student, and I had a lot of nervous energy.  Luckily, I had a break where I could walk around for about 10 minutes to wear it off.  I don't know why it happens later rather than at the moment for me, but that seems to be the way I function.
    I just wanted to share my experience and talk about how my martial arts training was applied to a "real-life" situation.  I know the violence wasn't directed at me, but I think it counts.  I was able to control a violent situation, and I remained calm and in control.  Anyone have similar stories?
   

Friday, August 22, 2014

The Difficulty of Simplicity

This is a weapon?
    We have a phrase in our dojo.   "Dazzle them with Bullshit."  We use this to refer to those actions that are not designed to have any practical application, but look cool.  Not to be picking on any one group, but for a reference point, think of the XMA events that they used to show on ESPN.  They would do bo staff work with thin, pieces of plastic, which were specifically reflective to impress and dazzle the judges.  The weapons themselves were mere props, not weapons.  By the way, of the competitions I saw, they never had martial artists as judges, just celebrities.  There were competitors that would do a "Japanese sword" form where he would toss his thin, unsharpened blade into the air, spin around, and catch it again.  Most of what I saw was glorified juggling, and wasn't any form of martial arts.  If you put enough sparkles and glowsticks on it, the judges won't notice, that you you're not doimg anything.  I'd had loved to see one of the competitors come out do one, perfect iaido draw and cut, resheath the blade, bow and walk off.  No BS, just simple and effective.
    I think all that dazzle is designed to cover up for flaws.  That's because the simplest things are the most difficult to do right.  I've been doing aikido for over a dozen years, and I'm still working on my tenkan and irimi.  The two most basic moves in aikido.  The more you concentrate on a simple thing, the more every detail needs to be correct.  And that's the difficulty of simplicity.  Because it is this one simple thing you are doing, if you do any small detail incorrectly, it shows.
   So the next time you go into your  dojo, and you're working on your kihon, your basics, do so mindfully.  Make sure the simple stuff is done right.  Make sure every detail, every piece of your body is in the correct place.  Feel what is done correctly and incorrectly.  You might appreciate the difficulty of it.

Saturday, August 16, 2014

Another Interview with...Me

  The Martial Arts Nation just posted their 6th Episode which had an interview with me.  If you want to hear more of your Martial Thoughts host than you get normally, here you go.

http://www.stitcher.com/podcast/cory-james-jansen/martial-arts-nation-pd

  Try out the podcast.  Cory is a cool guy, whose a fellow martial artist.  And keep listening to the Martial Thoughts Podcast.